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\u767b\u58c7\u8005<\/strong><\/p>\n\n\n\n

\u5c0f\u4f50\u91ce\u91cd\u5229\u3000\uff08\u6771\u4eac\u5927\u5b66\u540d\u8a89\u6559\u6388\uff09<\/p>\n\n\n\n

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\"\"<\/figure><\/div>\n\n\n

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\u672c\u8b1b\u6f14\u4f1a\u3067\u306f\u3001\u540c\u8457\u306b2\u4eba\u306e\u5171\u540c\u7814\u7a76\u8005\u304c\u8a18\u3057\u305f2\u56de\u306e\u30a2\u30a4\u30c8\u30e9\u30c3\u30ad\u30f3\u30b0\u306b\u3088\u308b\u4e88\u5099\u5b9f\u9a13\u306e\u7d50\u679c\u300c\u30ab\u30e9\u30f4\u30a1\u30c3\u30b8\u30e7\u306e\u7d75\u753b\u306f\u8996\u7dda\u3092\u8a98\u5c0e\u3059\u308b\u300d\u3092\u8e0f\u307e\u3048\u3066\u5b9f\u65bd\u3057\u305f\u3001Eyelink\u3092\u88c5\u5099\u3057\u305fMRI\u5b9f\u9a13\u306e\u6210\u679c\u767a\u8868\uff08\u7b2c1\u90e8\uff09\u3068\u3001\u5927\u585a\u56fd\u969b\u7f8e\u8853\u9928\u306b\u304a\u3044\u3066\u88c5\u7740\u30e1\u30ac\u30cd\u578b\u30a2\u30a4\u30c8\u30e9\u30c3\u30ab\u30fc\uff08Tobii Pro \u30b0\u30e9\u30b9\uff13\uff09\u3092\u4f7f\u3063\u305f\u6765\u9928\u8005\u306e\u8996\u7dda\u8ffd\u8de1\u4e88\u5099\u5b9f\u9a13\u306e\u5831\u544a\u3068\u5b9f\u9a13\u7f8e\u8853\u53f2\u306e\u8ab2\u984c\uff08\u7b2c2\u90e8\uff09\u3092\u793a\u3057\u3001\u6700\u5f8c\u306b\u3001\u767b\u58c7\u8005\u305f\u3061\u306e\u3042\u3044\u3060\u3067\u7f8e\u8853\u3068\u795e\u7d4c\u79d1\u5b66\u306e\u5354\u50cd\u306b\u3064\u3044\u3066\u8a0e\u8ad6\u3057\u307e\u3059\u3002\uff08\u65e5\u672c\u8a9e\u306e\u307f\uff09<\/p>\n\n\n\n

\u30a4\u30f3\u30d5\u30a9\u30e1\u30fc\u30b7\u30e7\u30f3<\/strong>
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\u5165\u5834\u7121\u6599<\/p>\n\n\n\n

\u304a\u7533\u3057\u8fbc\u307f\uff1a\u3053\u3061\u3089<\/a><\/strong>\u3092\u30af\u30ea\u30c3\u30af\u3057\u3066\u304f\u3060\u3055\u3044\u3002<\/p>\n\n\n\n

\u304a\u554f\u3044\u5408\u305b\uff1aeventi.iictokyo@esteri.it<\/p>\n\n\n\n

\u30d7\u30ed\u30b0\u30e9\u30e0<\/strong><\/p>\n\n\n\n

\u6328\u62f6\u3000\u3000\u30b7\u30eb\u30f4\u30a1\u30fc\u30ca\u30fb\u30c7\u30de\u30a4\u30aa\uff08\u30a4\u30bf\u30ea\u30a2\u6587\u5316\u4f1a\u9928\u9928\u9577\uff09
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\u5c0f\u4f50\u91ce\u91cd\u5229<\/p>\n\n\n\n

\uff1c\u4f11\u61a9\uff1e<\/p>\n\n\n\n

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<\/p>\n\n\n\n

\u5c0f\u4f50\u91ce \u91cd\u5229<\/strong>
\u6771\u4eac\u5927\u5b66\u540d\u8a89\u6559\u6388<\/p>\n\n\n\n

1951\u5e74\u751f\u3002\u6771\u4eac\u5927\u5b66\u5927\u5b66\u9662\u4eba\u6587\u793e\u4f1a\u7cfb\u7814\u7a76\u79d1\u6559\u6388\u3001\u7814\u7a76\u79d1\u9577\u30fb\u6587\u5b66\u90e8\u9577\u3092\u7d4c\u3066\u9000\u8077\u3002\u30a4\u30bf\u30ea\u30a2\u9023\u5e2f\u306e\u661f\u9a0e\u58eb\u30fb\u9a0e\u58eb\u52f2\u4f4d\u7ae0(2003)\u3001\u30a4\u30bf\u30ea\u30a2\u661f\u9a0e\u58eb\u30fb\u30b3\u30e1\u30f3\u30c0\u30c8\u30fc\u30ec\u52f2\u4f4d\u7ae0\uff082009\uff09\u3092\u53d7\u7ae0\u3002\u73fe\u5728\u3001\u6771\u4eac\u5927\u5b66\u540d\u8a89\u6559\u6388\u3001\u540c\u5927\u7279\u4efb\u6559\u6388\u3001\u30a2\u30c3\u30ab\u30c7\u30df\u30a2\u30fb\u30a2\u30f3\u30d6\u30ed\u30b8\u30a2\u30fc\u30ca\uff08\u30df\u30e9\u30ce\uff09\u4f1a\u54e1\u3001\u65e5\u672c\u5b66\u8853\u4f1a\u8b70\u9023\u643a\u4f1a\u54e1\uff08\u524d\u4f1a\u54e1\uff09\u3002\u5c02\u9580\u306f\u30a4\u30bf\u30ea\u30a2\u7f8e\u8853\u53f2\u3002\u8fd1\u8457\u300e\u300a\u4f0a\u6771\u30de\u30f3\u30b7\u30e7\u306e\u8096\u50cf\u300b\u306e\u8b0e\u306b\u8feb\u308b\u20151585\u5e74\u306e\u30f4\u30a7\u30cd\u30c4\u30a3\u30a2\u300f\uff08\u4e09\u5143\u793e\u30012017\uff09\u3001Originali e copie. Fortuna delle repliche fra Cinque e Seicento, a cura di S. Osano\uff08Firenze, 2017); \u201cThe Newly Discovered Portrait of Ito Mansio by Domenico Tintoretto: Further Insight into the Mystery of its Making\u201d (in artibus et historiae,77, 2018, pp.145-160);\u300e\u7d75\u753b\u306f\u773c\u3067\u306a\u304f\u8133\u3067\u898b\u308b\u2015\u795e\u7d4c\u79d1\u5b66\u306b\u3088\u308b\u5b9f\u9a13\u7f8e\u8853\u53f2\u300f\uff08\u307f\u3059\u305a\u66f8\u623f\u30012022\uff09\uff09\u306a\u3069\u3002<\/p>\n\n\n\n

\u4e80\u7530 \u9054\u4e5f<\/strong>
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1960\u5e74\u751f\u3002\u5317\u6d77\u9053\u5927\u5b66\u5927\u5b66\u9662\u6587\u5b66\u7814\u7a76\u79d1\u6559\u6388\u3092\u7d4c\u30662014\u5e74\u3088\u308a\u73fe\u8077\u3002\u65e5\u672c\u5b66\u8853\u4f1a\u8b70\u9023\u643a\u4f1a\u54e1\uff08\u524d\u4f1a\u54e1\uff09\u3001Fulbright \u30d5\u30a7\u30ed\u30fc\uff081997-1998\uff09\u3001Stanford University Center for Advanced Study in the Behavioral Sciences\u30d5\u30a7\u30ed\u30fc\uff082008-2009\uff09\u3002\u5c02\u9580\u306f\u5b9f\u9a13\u793e\u4f1a\u79d1\u5b66\u3001\u793e\u4f1a\u5fc3\u7406\u5b66\u3001\u884c\u52d5\u751f\u614b\u5b66\u3002\u8457\u66f8\u306b\u3001\u300e\u9023\u5e2f\u306e\u305f\u3081\u306e\u5b9f\u9a13\u793e\u4f1a\u79d1\u5b66\u2015\u5171\u611f\u30fb\u5206\u914d\u30fb\u79e9\u5e8f\u300f\uff08\u5ca9\u6ce2\u66f8\u5e97\u30012022\uff09\u3001\u300e\u30e2\u30e9\u30eb\u306e\u8d77\u6e90\u2015\u5b9f\u9a13\u793e\u4f1a\u79d1\u5b66\u304b\u3089\u306e\u554f\u3044\u300f\uff08\u5ca9\u6ce2\u65b0\u66f8\u30012017\uff09\u3001\u300e\u300c\u793e\u4f1a\u306e\u6c7a\u307e\u308a\u300d\u306f\u3069\u306e\u3088\u3046\u306b\u6c7a\u307e\u308b\u304b\u300f (\u52c1\u8349\u66f8\u623f\u30012015)\u3001\u300e\u793e\u4f1a\u306e\u306a\u304b\u306e\u5171\u5b58\u300f(\u5ca9\u6ce2\u66f8\u5e97\u30012014)\u3001Evolution, culture, and the human mind (Psychology Press, 2010)\u306a\u3069\u3002<\/p>\n\n\n\n

\u5c0f\u5ddd \u662d\u5229<\/strong>
\u9806\u5929\u5802\u5927\u5b66\u533b\u5b66\u90e8\u51c6\u6559\u6388<\/p>\n\n\n\n

1976\u5e74\u751f\u3002\u5317\u6d77\u9053\u5927\u5b66\u5927\u5b66\u9662\u5de5\u5b66\u7814\u7a76\u79d1\u535a\u58eb\u5f8c\u671f\u8ab2\u7a0b\u4fee\u4e86\u3002\u535a\u58eb\uff08\u5de5\u5b66\uff09\u3002\u7406\u5316\u5b66\u7814\u7a76\u6240\u8133\u79d1\u5b66\u7dcf\u5408\u7814\u7a76\u30bb\u30f3\u30bf\u30fc\u7814\u7a76\u54e1\u3001Santa Lucia Foundation IRCCS Research Fellow\u3001\u6771\u4eac\u5927\u5b66\u5927\u5b66\u9662\u4eba\u6587\u793e\u4f1a\u7cfb\u7814\u7a76\u79d1\u7814\u7a76\u54e1\u306a\u3069\u3092\u7d4c\u30662021\u5e74\u3088\u308a\u73fe\u8077\u3002\u5c02\u9580\u306f\u8a8d\u77e5\u795e\u7d4c\u79d1\u5b66\u3002\u6a5f\u80fd\u7684\u78c1\u6c17\u5171\u9cf4\u753b\u50cf\u6cd5\u306a\u3069\u3092\u7528\u3044\u3066\u4eba\u9593\u306e\u610f\u601d\u6c7a\u5b9a\u306b\u95a2\u308f\u308b\u795e\u7d4c\u57fa\u76e4\u306b\u95a2\u3059\u308b\u7814\u7a76\u3092\u9032\u3081\u3066\u3044\u308b\u3002<\/p>\n\n\n\n

\u677e\u7530 \u54f2\u4e5f<\/strong>
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1972\u5e74\u751f\u3002\u6771\u4eac\u533b\u79d1\u6b6f\u79d1\u5927\u5b66\u5927\u5b66\u9662\u533b\u6b6f\u5b66\u7dcf\u5408\u7814\u7a76\u79d1\u4fee\u4e86\u3002\u535a\u58eb\uff08\u533b\u5b66\uff09\u3002\u7389\u5ddd\u5927\u5b66\u8133\u79d1\u5b66\u7814\u7a76\u6240\u51c6\u6559\u6388\u3092\u7d4c\u3066\u30012015\u5e74\u3088\u308a\u73fe\u8077\u3002\u5c02\u9580\u306f\u8a8d\u77e5\u795e\u7d4c\u79d1\u5b66\u3002\u6587\u90e8\u79d1\u5b66\u7701\u7814\u7a76\u632f\u8208\u5c40\u5b66\u8853\u8abf\u67fb\u5b98\u4f75\u4efb\uff082011-2013, 2016-2020\uff09\u3002\u73fe\u5728\u3001\u8133\u7814\u7a76\u5206\u91ce\u306b\u304a\u3051\u308b\u56fd\u5bb6\u30d7\u30ed\u30b8\u30a7\u30af\u30c8\uff08\u65e5\u672c\u533b\u7642\u7814\u7a76\u958b\u767a\u6a5f\u69cb\u3000\u9769\u65b0\u8133\u3001\u56fd\u969b\u8133\uff09\u306e\u30d7\u30ed\u30b0\u30e9\u30e0\u30aa\u30d5\u30a3\u30b5\u30fc\u4f75\u4efb\u3002\u793e\u4f1a\u3068\u4eba\u9593\u306e\u9023\u7d9a\u7684\u306a\u76f8\u4e92\u4f5c\u7528\u3068\u3044\u3046\u89b3\u70b9\u304b\u3089\u500b\u6027\u306e\u5f62\u6210\u306b\u6ce8\u76ee\u3057\u3066\u7814\u7a76\u3092\u884c\u3063\u3066\u3044\u308b\u3002<\/p>\n\n\n

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\"\"<\/figure><\/div>\n\n\n

La mente degli spettatori di fronte ai dipinti di Caravaggio: storia dell’arte e neuroscienze<\/strong><\/p>\n\n\n\n

Arte e scienza sono in continuo dialogo, ma negli ultimi anni questo tema ha attirato su di s\u00e9 ancora pi\u00f9 attenzione.<\/p>\n\n\n\n

Partendo dall\u2019idea che un\u2019opera d\u2019arte esprime la volont\u00e0 artistica del suo creatore e dall\u2019affermazione di Alois Riegl per cui le opere d\u2019arte sono veramente fruite solo nel momento in cui coivolgono la percezione e le emozioni dello spettatore, gli storici dell\u2019arte hanno lavorato e lavorano a stretto contatto con psicologia, psicoanalisi e, pi\u00f9 recentemente, le neuroscienze.<\/p>\n\n\n\n

Pubblicato nell’aprile dello scorso anno, Kaiga wa medenaku n\u014d de miru. Shinkei kagaku ni yoru jikken bijutsu-shi (\u201cGuardare i dipinti con il cervello, non con gli occhi. Storia dell\u2019arte sperimentale e neuroscienze\u201d di Osano Shigetoshi, Misuzu Shobo, 2022) tenta di costruire una storia dell’arte sperimentale attraverso le neuroscienze.<\/p>\n\n\n\n

Nella prima parte del simposio, i relatori discuteranno degli esperimenti di risonanza magnetica condotti con Eyelink, sulla base dei risultati di due esperimenti di tracciamento oculare osservati dai co-ricercatori nel libro sopra citato. Passeranno poi alla discussione di un esperimento di tracciamento oculare, avvenuto tra i vistatori del museo d\u2019arte di Otsuka utilizzando dispositivi Tobii Pro Glasses 3, e affronteranno il tema della storia dell\u2019arte sperimentale. Concluderanno infine con una riflessione sul rapporto tra arte e neuroscienze.<\/p>\n\n\n\n

Evento in giapponese senza traduzione.<\/p>\n\n\n\n

<\/p>\n\n\n\n

Intervengono:<\/strong><\/p>\n\n\n\n

Osano Shigetoshi (professore emerito, universit\u00e0 di Tokyo)<\/p>\n\n\n\n

Kameda Tatsuya (professore associato presso la facolt\u00e0 di lettere, dipartimento di psicologia sociale, universit\u00e0 di Tokyo)<\/p>\n\n\n\n

Ogawa Akitoshi (professore associato presso il dipartimento di neurofisiologia, facolt\u00e0 di medicina, Juntendo University)<\/p>\n\n\n\n

Matsuda Tetsuya (professore associato presso il dipartimento di neuroscienze, Tamagawa University)<\/p>\n\n\n\n

<\/p>\n\n\n\n

Informazioni<\/strong><\/p>\n\n\n\n

Data: gioved\u00ec 6 aprile 2023
Orario: 18:00
Luogo: Istituto Italiano di Cultura, auditorium
Ingresso libero<\/p>\n\n\n\n

Per prenotare, cliccare QUI<\/a><\/strong>.
Per informazioni: eventi.iictokyo@esteri.it<\/p>\n\n\n\n

<\/p>\n\n\n\n

<\/p>\n\n\n\n

Programma<\/strong><\/p>\n\n\n\n

Saluto della Direttrice, prof.ssa Silvana De Maio
Introduzione di Osano Shigetoshi
Prima parte: discussione sui risultati della risonanza magnetica (Kameda Tatsuya, Ogawa Akitoshi)
Seconda parte: problematiche nella storia dell\u2019arte sperimentale (Osano Shigetoshi)<\/p>\n\n\n\n

Intervallo<\/em><\/p>\n\n\n\n

Discussione finale (Osano Shigetoshi, Kameda Tatsuya,Ogawa Akitoshi, Matsuda Tetsuya)<\/p>\n\n\n\n

<\/p>\n\n\n\n

Osano Shigetoshi<\/strong>
professore emerito, universit\u00e0 di Tokyo<\/p>\n\n\n\n

Nasce nel 1951. Gi\u00e0 professore e capo del dipartimento di lettere e filosofia dell\u2019universit\u00e0 di Tokyo. Ha ricevuto dal governo italiano l\u2019Onorificenza dell’Ordine della Stella (2003) e quello di Commendatore (2009). Attualmente professore emerito dell\u2019universit\u00e0 di Tokyo, membro dell\u2019Accademia Ambrosiana, membro affiliato del Science Council of Japan. Specializzato in storia dell\u2019arte italiana. Come autore, ricordiamo le opere It\u014d mansho no sh\u014dz\u014d no nazo ni semaru (\u201cAvvicinarsi al mistero del ritratto di Ito Mancio – Venezia nel 1585\u201d, Sangensha, 2017), Originali e copie. Fortuna delle repliche fra Cinque e Seicento (Firenze, 2017), The Newly Discovered Portrait of Ito Mansio by Domenico Tintoretto: Further Insight into the Mystery of its Making (in artibus et historiae,77, 2018, pp.145-160), Kaiga wa medenaku n\u014d de miru. Shinkei kagaku ni yoru jikken bijutsu-shi (\u201cGuardare i dipinti con il cervello, non con gli occhi. Storia dell\u2019arte sperimentale e neuroscienze\u201d, Misuzu Shobo, 2022).<\/p>\n\n\n\n

<\/p>\n\n\n\n

Kameda Tatsuya<\/strong>
professore associato presso la facolt\u00e0 di lettere, dipartimento di psicologia sociale, universit\u00e0 di Tokyo<\/p>\n\n\n\n

Nasce nel 1960. Dopo aver lavorato come professore presso il dipartimento di lettere dell\u2019Universit\u00e0 dell\u2019Hokkaido, ha assunto la sua posizione attuale nel 2014. Membro affiliato del Science Council of Japan. Ricercatore presso Fulbright (1997-1998) e Stanford University Center for Advanced Study in the Behavioral Sciences (2008-2009). Specializzato in scienze sociali sperimentali, psicologia sociale ed ecologia comportamentale. Come autore, ricordiamo Rentai no tame no jikken shakai kagaku \u2015 ky\u014dkan bunpai chitsujo (\u201cScienze sociali sperimentali per la solidariet\u00e0: empatia, distribuzione e ordine\u201d, Iwanami Shoten, 2017), Moraru no kigen \u2015 jikken shakai kagaku kara no toi (\u201cL’origine della moralit\u00e0: domande dalla scienza sociale sperimentale\u201d, Iwanami Shinsho, 2017), ‘Shakai no kimari’ wa dono y\u014d ni kimaru ka (“Come vengono decise le ‘regole della societ\u00e0’?”, Keiso Shobo, 2015), Shakai no naka no ky\u014dzon (“Coesistenza nella societ\u00e0”, Iwanami Shoten, 2014), Evolution, culture, and the human mind (Psychology Press, 2010)<\/p>\n\n\n\n

<\/p>\n\n\n\n

Ogawa Akitoshi<\/strong>
professore associato presso il dipartimento di neurofisiologia, facolt\u00e0 di medicina, Juntendo University<\/p>\n\n\n\n

Nasce nel 1976. Completa il dottorato presso la facolt\u00e0 di ingnegneria dell\u2019Universit\u00e0 dell\u2019Hokkaido. Dottore in Ingegneria. Lavora come ricercatore presso il RIKEN’s New Research Center for Brain Science, la Santa Lucia Foundation IRCCS e il dipartimento di studi umanistici e sociologia dell’Universit\u00e0 di Tokyo. Ha assunto la sua posizione attuale nel 2021. Specializzato in neuroscienze cognitive. Il suo campo di ricerca sono le basi neurali del processo decisionale umano, analizzate tramite risonanza magnetica funzionale.<\/p>\n\n\n\n

<\/p>\n\n\n\n

Matsuda Tetsuya<\/strong>
professore associato presso il dipartimento di neuroscienze, Tamagawa University<\/p>\n\n\n\n

Nasce nel 1972. Ottiene il dottorato presso la Tokyo Medical & Dental University. Dottore in medicina. Dopo aver lavorato come professore associato presso il Brain Science Institute della Tamagawa University, ha assunto la sua posizione attuale nel 2015. Specializzato in neuroscienze cognitive. Ha ricoperto la carica di ricercatore accademico presso l\u2019ufficio per la promozione della ricerca del Ministero dell\u2019Istruzione del governo giapponese (2011-2013, 2016-2020). Attualmente \u00e8 co-responsabile di un programma nazionale per le ricerche sul cervello (Japan Agency for Medical Research and Development \u2013 AMED, Brain Projects). La sua ricerca si concentra sulla formazione dell’individualit\u00e0 nell\u2019interazione tra la societ\u00e0 e l\u2019essere umano.<\/p>\n","protected":false},"excerpt":{"rendered":"

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